Home > Teddy Bear Diary > [September, 1991] John Hughes Lied to Me

[September, 1991] John Hughes Lied to Me

 

...and they never spoke to each other again...

Tuesday 9/17/91

Dear Journal,

I did it. I gave Hahn a note to give to Archie. She told me that he laughed and said, “Damiella wants to go out with me?” Well I’m taking that as a “no.” I’m telling myself it doesn’t matter because I’ll forget it ever happened. It doesn’t matter. It’s too bad, though. I was hoping it would be different this time. Sigh. Oh well. I’ll live. No big deal. See ya!

Of all the reactions you can get when asking someone out, laughter is not high up there. It’s kind of like that movie cliché where a guy calls a hoity-toity restaurant for a table that night and the maître d’laughs in derision to emphasize the restaurant’s popularity. That’s exactly how I took Archie’s laugh.

Even though I tried to hide my disappointment in my journal, it was still an ego blow and a letdown. Sure, I set myself up by asking out a guy I knew was out of my league. Back then I wanted to think it would have been possible for someone like him to go out with someone like me. I was fed a steady diet of romantically improbable fiction and cinema, and really and truly believed life could mimic a John Hughes movie. At least, I wanted it to.

The Hughes films that made up my adolescent core were Weird Science, the Molly Ringwald Trilogy (Sixteen Candles, Pretty in Pink, The Breakfast Club) and Some Kind of Wonderful. All of those movies showed that no matter how quirky, different, nerdy or unpopular you are, you can still get the hot guy or gal that will see you for who you are. In Hughes’ world, the pendulum can swing either way. Popular kids can turn out to be down-to-earth, sweet, and willing to date outside their caste (Pretty in Pink, Sixteen Candles, Some Kind of Wonderful) and unpopular kids can show hidden talents and blossom and turn out to be rad and hot-in-their-own-special-way (Weird Science, Sixteen Candles, The Breakfast Club, Some Kind of Wonderful), or at the very least get a makeover from Molly Ringwald that makes them generic and pretty enough to catch the eye of the dopey jock, (The Breakfast Club).

In the real world? Not so much. At least not in a school like Hunter, where you were stuck with the same 200 or so kids for six straight years. I saw a few cases of extreme talent/beauty being accepted into the fold of the popular kids, or “survivors” as they were known. However, things weren’t shaping up for me to be one of those exceptions, and the sooner I accepted that the better.

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